ORGANIC SHAPES IN ART FREE

Material as well as texture of the home are seamlessly incorporated into site, showing in palpable form what building and site as principles mean in organic designs. Instead of creating a house that would overlook its surroundings, Wright decided to incorporate his design as much as possible with the surrounding landscape, placing the home on the top of a waterfall. Since his initial try to explain organic architecture in 1914, Wright continued to search for its proper definition in numerous later texts he wrote, but somehow it seems that his designs translated the meaning better than his words.įallingwater was built in Pennsylvania in 1939 as a summer home for Kaufamnn family. Building and Site - Frank Lloyd Wright’s Fallingwaterįrank Lloyd Wright's Fallingwater house is an extraordinary example of a harmony reached between these two elements. In what follows we will analyze them, and offer illustrations of some of the most successful examples of this order.įrank Lloyd Wright - Fallingwater.

Postulates that guide design of organic architecture are multiple, including building and site, material, proportion and simplicity. Wright was not the first or the last architect that tried to define or use this term in architecture, so concept was explained in a variety of ways, including definition of different postulates. These misconceptions combined with Frank Lloyd Wright’s definition make organic architecture open for a variety of interpretations and explanations. Others presume that this type of architecture is automatically sustainable, and that it forms a specific style or architectural movement.

ORGANIC SHAPES IN ART FREE

Although it may appear from browsing the internet on this topic that organic stands for curves and free form, this is a common misconception. However, this relation does not necessarily understand that natural forms should be replicated, but instead that nature and architecture should be in harmony, and architectural structures should have the same fluency and intuitiveness of spaces as environment does. Organic architecture understands repetition of some of the materials, motifs and basic architectural ordering principles so that everything in a design can relate and form a symbiotic structure relative to nature. “ The ideal of an organic architecture… is a sentient, rational building that would owe its ‘style’ to the integrity with which it was individually fashioned to serve its particular purpose - a ‘thinking’ as well as ’feeling’ process.” It is not an easy task to pin down a style in words, as often complicated concepts are involved, but nonetheless we can try for a formulation.

Starting from a somewhat unclear definition of organic architecture by Frank Lloyd Wright in his article for Architectural Record in August 1914, we now have a plethora of structures that try to emulate the principles he propagated, which renders at least visual recognizability of this model much easier.

Organic shapes in art